Kodak Tri-X 400 - Baldy Came Out To Play.

 I have a couple of 120 medium format rolls of Kodak Tri-X 400 in my stash and had loaded one into Baldy the Baldax before Christmas 2025. I was looking for an excuse to use it again and I took it with me when I went to the canal at Crooke. Baldy, my dear Balda Baldax 4.5x6cm folding camera has given me so much joy over the last couple of years that I want to use it again and again.

As it turned out, I covered what I needed at Crooke with Donkey and, with plenty of daylight left, I got the bus into town to see what I could find to photograph with Baldy. The early part of my day was bright sunshine, but as the day drew on, the clouds started to appear and the light left us. This didn't worry me as my trusty Gossen Trisix is still pretty accurate and I was able to quickly dial in my settings and concentrate on compositions.

I started at Wigan Parish Church for a few shots of the Church Tower, The Old Courts and the Coops building. I then headed down a back street for a shot or two before I made my way to the old Pennington's building to see how the demolition is progressing. All I can say is slowly, but surely. The last old building on that side is half gone now. The lads tasked with the demolition are taking it easy on the old place and it looks like they are separating stuff out for recycling where possible. 

It's always a sad day when a bit of local history is lost to the inexorable advance of time. I will try to find an old photo of Millgate in it's prime and share it with you. One building that hasn't been consigned to history is the Civic which has been transformed from it's original purpose as Council Offices and into a modern interior with small businesses in mind. However, a spruce up can never hide the fact it is a Brutal Concrete edifice. 

I finished my roll of film with photos of The Face Of Wigan and The John Bull Chophouse, my favourite pub that has survived the centuries since it was built. Once upon a time it was three houses and got converted to a pub sometime in the late 60's, early 70's. I worked there for a while in the mid 1990's, collecting glasses and keeping the bar supplied with clean ones. I have a lot of fond memories from that time. Having finished my roll of film, I headed home for a well earned cuppa.

I developed my roll of Tri-X 400 a couple of days later in Bellini Euro HC, 1+31 dilution B, for 6 minutes at 20 celcius and soon had it hanging to dry in my bathroom. I digitised my film with my Nikon D700, Tamron Adaptall 2 90mm f/2.5 macro lens, Valoi 35mm film holder, Pixl-Latr and A5 sized led light pad. I processed the RAW files with Affinity Studio.

First impressions of my roll of Tri-X were favourable when I hung it to dry. Baldy still gives me a lot of joy when I am out and about taking photos with it. One thing I did notice with Tri-X in medium format is that it needed double the fixing time of the previous roll I dunked in a fresh mix of fixer.

I normally give my film "six in the fix", but Tri-X got twelve minutes just to be sure. I checked at six minutes and it still had a little way to go. That's the thing with Fixer, you can take a look after your initial time has lapsed and can always dunk it back in again until it's done properly. Other than that I have no complaints about Tri-X in medium format. Will I use Tri-X in medium format again? Yes, I will. I have a couple of rolls left and will be using them in the not too distant future. Will I buy Tri-X 400 again? Probably, but not for a while. I have way too much film in my stash and I need to use it up.

I'm not exactly flush with cash and like to use the cheaper films. I might treat myself in the future as I get why folk swear by Tri-X 400. There's a reason it has been in production for eight decades and counting. It's a darn good emulsion. Yes, it's been tweaked down the decades as various ingredients have altered, but Kodak made sure that with each iteration, Tri-X 400 gave consistent results that photographers the world over have come to appreciate and enjoy. I think I will save up my loyalty points at Analogue Wonderland to help with the cost of another 5 pack of Tri-X 400 medium format film. When's my birthday? Hmmmm.....

Here's a few favourites from my roll of Tri-X 400 medium format black and white film shot with Baldy The Baldax. It was good to shoot a film that can trace it's lineage almost as far back in time as the day my camera was made. As always I have placed them and more in an album on Flickr you can visit using the link below. I hope you enjoy them.

Kodak Tri-X - Blada Baldax 4.5x6 

Lomography 800 - OM-1n - Merry Mersey Meet Up Photowalk

For the Merry Mersey Meet Up I wanted to take two cameras with me and shoot a roll of Lomography 800 colour film as a counterpoint to my effort with Kodak P3200 b&w film. I have been having a lot of fun with my Olympus cameras over the years and I shot my roll of Lomography 800 in my OM-1n fitted with my Zuiko 50mm f/1.8 lens. 

Stig had picked a weekend where there was going to be a lot of colour as the Liverpool Christmas Markets were starting for the festive period. Late November was always going to be lousy for anything slower than Lomography 800 colour film and I had one roll left in my stash. Nice!

As I mentioned in my previous blog about this most excellent photo walk with friends, we started at the Cenotaph outside St George's Hall in Liverpool. Straight away I was looking for colour compositions and having to choose my shots as there was way too much of it. This is one situation when you can tell a b&w film photographer is shooting colour film too. 

Man, the conflict of emotion between colour and texture is very real and I had it in abundance. Thankfully, Stig lived up to his Starr name and chose places along our route that catered for both colour and b&w. We visited murals, old buildings, modern buildings and a splendid café, Little Leaf for a spot of lunch. 

By the time we reached the Pier Head, I was running low on colour and could easily have shot two or three more rolls of colour film on the day. The Fun Fair was in full flow and we all managed a few photos as we made our way to the Royal Albert Dock. It was there where I finished my roll of Lomography 800 and had to break out my phone camera to get some more shots that deserved the full colour treatment to do them justice.
 
Did I tell you I have the attention span of a goldfish? This walk was a heck of a brain exercise and I did it to myself willingly. I don't know which was more knackered by the time I said my goodbyes and headed for home, my legs or my noggin. Tired as I was after a most excellent day with friends, it was well worth the effort. Thank you to the legend Steve "Stig" Starr for organising another excellent photo walk around Liverpool.

I sent my roll of Lomography 800 to Analogue Wonderland for developing at the end of January. Christmas gets expensive here, so I had to wait a bit. A few days later, I got the notification that my scans were ready to download and I got my first look at my photos.

I was a bit hit and miss with a lot of my photos, but I did get a few reasonable photos to share from the Merry Mersey Meet Up Photowalk. I underexposed quite a few and that's either the changeable light on the day or just me not getting it quite right. I was probably exposing for the highlights when I should have been exposing for the mid tones or shadows. It doesn't matter so much with digital as you can pick that back up in your editing software. Film is a little more tricky to nail when you're in full manual mode, especially when you haven't shot much colour film in late autumn - early winter. 

I can say the lesson that I learned from this roll of Lomography 800 is I probably should have used one of my Auto Focus cameras rather than my OM-1n. In my defence, when you are a self confessed Olympus Guy and have a freshly serviced OM-1n at your disposal, you would probably pick it too. This fast film would have been better used in My Nikon F801S or even my Canon EOS300 on the day to be honest. C'est la vie! 

Lomo 800 in 35mm seems to be a bit thin on the ground at the moment, which is a shame as it's a decent film. Even with my cack handedness I was able to get half a dozen decent shots and managed to clean up several more to make them presentable. I was pleased with the Mural photos as we walked through the city centre and the Funfair shots at the Pier Head were pretty reasonable too. The main thing was I had a fun day out.

After conquering my anxiety and now attending two Mersey Meet photo walks in winter, I really want to attend the spring Mersey Meet photo walk to take advantage of the longer daylight and not hold the group up. (It's me bad back, mate...) If you want to join us next time, keep and eye on the Photowalk.me website via the link below and sign up when Stig makes the announcement.

Here's a few of my favourite colour photographs shot on Lomography 800 with my Olympus OM-1n and Zuiko 50mm f/1.8 lens. As always I have placed them and more in an album on Flickr you can visit using the link below. I hope you enjoy them. 

Photowalk.me 
Lomography 800 - OM-1n - Merry Mersey Meet Up Photowalk 

Frugal Film Project 2026 - Donkey - January

 As I mentioned in my previous blog, I wasn't going to do the Frugal Film Project 2026. Then things conspired against my decision and now I'm pulling double duty with a 35mm compact and a 35mm SLR. Allow me to introduce "Donkey!" ahem....

When the auto-wind problem on my Hanimex 35RAS surfaced I genuinely thought it was broken. before I even thought about doing anything else, I began plan B. "Donkey" is my Minolta Dynax 4 auto everything 35mm Film Single Lens Reflex camera sporting a Minolta AF 28-80mm f/3.5-5.6 zoom lens that I paid £10 on ebay. Why do I call it Donkey? It was sat on my shelf going "pick me! pick me!", so I sighed and said "OK Donkey, you can come with me". 

My film choice for Donkey is also Kentmere 400. My mind was already in a flap and it was easier to use the film I had already bought. I didn't know at the time that my Hanimex 35RAS would still function after retrieving my film. In any case, it's easier to develop both films together in the same tank than have to send a colour film away for developing. After all, the aim of the project is to be "Frugal". 

This also means I have to hit two different parts of town each month, which gets me out and about more. This is called "exercise" and will allegedly make me healthier than I am now. I am sceptical of this sorcery, especially as every housing estate in town has a Pie Shop, so we shall see how I get on. 

For my first roll of Kentmere 400 shot with Donkey for the Frugal Film Project 2026, I headed to the Leeds & Liverpool Canal at Crooke for a pleasant wander along the tow path and see how the place looks in darkest winter. It gets a bit grim here in winter, it's usually wet and windy with occasional snow and frost through to March. The sight of a sunny morning in late January was something I had to take advantage of whilst it lasted.

I wasn't the only one making the most of a bright, sunny morning in January. There was a few folk fishing along the canal and a mix of dog walkers, ramblers, joggers and cyclists, all enjoying the winter sunshine. I was really enjoying the conditions as the canal was almost mirror calm. It was only the ducks that were making any big ripples on the surface as they enjoyed their day with the rest of us.

I made full use of the reflections as I walked along the towpath. even when the ducks made ripples it made for interesting reflections and I was quite spoiled for choice. It also meant I made short work of my roll of Kentmere 400 and took my final photo from the footbridge. that took me back over the canal and onwards to the bus stop to catch my bus into town.

I developed my roll of Kentmere 400 a couple of days later with Bellini Euro HC 1+31 dilution B for 6 minutes at 20 celcius and soon had it hanging to dry in my bathroom. I digitised my film with my Nikon D700, Tamron Adaptall 2 90mm f/2.5 macro lens, Valoi 35mm film holder, Pixl-Latr and A5 sized led light pad. I processed the RAW files with Affinity Studio.

First impressions of my film when I hung it to dry was that Donkey didn't let me down. I added a Yellow filter that cost £5.99 to Donkey to try to even out the sky on a bright winter day. We don't get many days without clouds at this time of year in darkest Wigan, so I made the most of it. I was able to process my shots with very few adjustments in Affinity Studio to get them presentable. 

I really enjoy using my Minolta Dynax 4 with its 28-80mm kit lens. It's an entry level 35mm SLR with the bells and whistles of a modern DSLR/Mirrorless camera and it only cost me ten whole pounds. Add £5.99 for the filter and I still have plenty of room in the budget for more accessories. Not that this camera needs any, it does what it needs to and does it very well indeed. Cheers, Donkey! 

Here's a few favourites from my January roll of Kentmere 400 shot with Donkey, my beltin' little Minolta Dynax 4 for the Frugal Film Project 2026. I have placed them and more in an album on Flickr you can visit using the link below. I hope you enjoy them.

Frugal Film Project 2026 - SLR 

Frugal Film Project 2026 - Compact - January

 I was going to have a year off from the Frugal Film Project in 2026, but the lure of a cheap compact 35mm film camera from the golden age of film was irresistible. My friend and owner of Kosmo Foto, Stephen Dowling, sells compact 35mm cameras for not a lot of cash on his website. It was there where I found a Hannimex 35RAS 35mm compact camera and it was well within the budget for the Frugal Film Project. A few clicks later and the deed was done.

I like to try to buy a camera for the Frugal Film Project, but I have used cameras I already owned in the past. My Agfa Isolette was a gift and my Pentax SP500 was bought some years before being used for the Project. The other cameras I have used have all been bought for the Project and I wanted to continue this. It gives a camera some much need love and a chance to shine. 

I did not go into 2026 with an unknown camera. I tested it myself with a roll of Kentmere 400, which helped me enormously and gave me confidence to go with it for the Project. What could be more simple? Hanimex cameras were the cheap option in the 1980's for happy snappers like me and nostalgia is a powerful draw. 

For January I just wanted to wander around, as usual, happily snapping shots of Wigan that caught my eye. There's an old building in town that has been condemned and is being slowly demolished. I wanted to capture a few shots for posterity and headed out on a typical grey day here in Wigan. I got my shots, chatted with the lads working on the building and went on my way to take a photo of the Mining Memorial. 

Then Disaster Happened.

I took the shot I wanted at the Memorial and my camera kept trying to wind the film to the next frame. WTF? I quickly removed the batteries and wondered if that was it for my Hanimex 35RAS. I went home, dejected, but determined to figure it out. I left it to sulk for a day or two in my warm house in case it was the cold that had caused the failure. I replaced the batteries and sure enough, it kept trying to advance the film.

I put the camera, a pair of scissors and a developing tank in my dark bag and set about removing the film. Once I had the film safely in the tank, I took everything from the bag and replaced the batteries in the camera. It worked perfectly! I developed the short length of film and took a look as I hung it to dry. There was one sprocket hole that had broken. ONE! *insert suitable curse words here* I also want to make it perfectly clear it's nobody's fault it happened, not Ste's fault, not even the Roman's fault. Poop doth happen from time to time for reasons unknown. Blummen fing....

I carefully reloaded the remainder of the film back into the camera and closed the back. It advanced to the first frame as normal. That one lousy sprocket hole almost had me abandon my camera for the Frugal Film Project at the first hurdle. I was so sure the camera was fubarred that I had already declared that I would be using my back up camera, my Minolta Dynax 4, for the remainder of the year. 

I waited a few days until the weather improved and shot the rest of the roll with no further issues. Now I am pulling double duty again with 2 35mm film cameras, my 35RAS and my Minolta Dynax 4 that I lovingly christened "Donkey" because it was dancing on my shelf shouting "Pick Me! Pick Me!", so I expect chaos to reign supreme from here on in. 

I developed my film with Bellini Euro HC 1+31 dilution B for 6 minutes at 20 celcius and soon had it hanging to dry in my bathroom. I digitised it with my Nikon D700, Tamron Adaptall 2 90mm f/2.5 macro lens, Valoi 35mm film holder, Pixl-Latr and A5 sized led light pad. I processed the RAW files with Affinity Studio.

If this camera hadn't decided to have a tantrum, I would have called my January photos a success. As it stands they are a bit of a miracle considering the mishap with the auto-wind. I'm happy with how they turned out and will keep using my Hanimex 35RAS until it either breaks or makes it to December. Maybe it has some kind of "pact" with Donkey that they haven't seen fit to tell me about.... Hmmmmmm.... *strokes beard*

Here's a few of my favourites from my January roll of Kentmere 400 shot with my Hanimex 35RAS for the Frugal Film Project 2026. I have placed them and a few more in my Frugal Film Project 2026 album on Flickr you can visit using the link below. I hope you enjoy them.

Frugal Film Project 2026 - Compact 

Torn sprocket hole near the 5 that caused the problem

A Merry Mersey Meet Up

 A year has flown by since I first attended a Mersey Meet Up, organised by the man, nay, the legend, Steve "Stig" Starr. I promised in November 2024 that I would be back and I put my name down for the 2025 Merry Mersey Meet Up as soon as I found out when it was happening. I even booked my train early, just to make sure I was going to be there. The day of the meet up was Saturday November 29th and the meeting point was at the Cenotaph outside St George's Hall. Stig picked the right spot as it's right outside Lime Street Railway Station where my morning train journey ended. 

I arrived in time and said hello to people I haven't seen for a year as well as some I haven't met before. For the walk I had given some thought to the time of year and dug out my last roll of Kodak T-Max P3200, loaded it into my OM-2 with Zuiko 28mm f/3.5 lens and set it to shoot it at 800 iso. I also loaded a roll of Lomo 800 into my OM-1n with Zuiko 50mm f/1.8 lens to try to capture the festive colour around town.

Stig puts a lot of effort into the route and this year we headed down William Brown Street, past the Central Library, Walker Art Gallery and Museum. It was getting busy as people were heading the the Christmas Market and Fun Fair on the plaza around St George's Hall. Stig lined us all up on the steps outside the Museum and we dutifully got our group photo done.

We headed down Dale Street, taking photos of murals along the way and also had a stop at the Real Camera Co. shop. I could easily have spent my christmas savings in there, but I exercised restraint and bought a couple of rolls of expired Agfa Vista colour film. A few of the group also spent a few quid there and once that was done, we headed towards St Pauls Square.

This is where the famed Liverpool Stadium once stood and hosted World Championship Boxing matches. Sadly age took it's toll on the building and it was demolished in the late 1980's. A Memorial Plinth now stands on the site, surrounded by tall office buildings. It was unveiled by John Conteh who competed and made his name there. We also had a spot of lunch at Little leaf, a lovely cafe that served a wonderful sausage roll and made excellent tea.

From there we meandered to the Pier Head and another Christmas Fun Fair. I'm glad I had a roll of Lomo 800 in my OM-1n for a future blog as the colours were indeed amazing, despite the light being flat. From there we headed around the Royal Albert Dock and It was there I finished my roll of Lomo 800. I also took a few photos with my phone camera on this section of our walk, just to capture the bright colours whilst I still could.

By now we were behind time and losing the light. Stig hurried everyone along towards St Lukes, the bombed out church in the Chinatown area and I said my farewell to everyone as I knew keeping up would be a problem for me. I shook hands with everyone and made my way back to Lime Street Station and my train home, knackered, but happy I made it to another Mersey Meet Up.

I developed my TMax P3200 with Bellini Euro HC, 1+31 dilution B for 8 1/2 minutes at 20 celcius and soon had it hanging to dry in my bathroom. Once dry I scanned it with my Nikon D700, Tamron Adaptall 2 90mm f/2.5 macro lens, Valoi 35mm film holder, Pixl-Latr and A5 size led light pad. I processed the RAW files with Affinity Studio. 

In my defence it was a bit of a grotty day in Scouse land, the light was flat and the sky rarely cleared to give us any brightness, but I got my choice of film right and got my exposures there or thereabouts. Taking two cameras, Lomo 800 colour film in my OM-1n and TMax P3200 B&W film in my OM-2, divided my attention and made my brain hurt. I did get some decent shots despite having my attention span seriously challenged. I'm too easily dist.... look, a squirrell! 

What really mattered on the day was the chance to get out and meet people I have been gassing with on social media. There was a few new faces at this years Merry Mersey Meet Up and the chance to say hello in person was very welcome. I will be keeping an eye on the Photowalk website as I really fancy attending the Spring Mersey Meet. If you fancy a photowalk, you can visit the Photowalk website via the link below.

I will be sharing my colour film in a future blog, but for now here's a few favourites from my roll of TMax P3200 shot with my OM-2 on a splendid walk around Liverpool with great people. I have placed them and more in a album on Flickr you can visit using the link below. I hope you enjoy them.

www.photowalk.me 
Kodak P3200 - OM-2 - Merry Mersey Meet 

New toys for my FED 2

 When I bought my FED 2 rangefinder camera, a wide angle lens went on my bucket list straight away, the Jupiter 12 35mm f/2.8. The camera originally came to me with an Industar 26m 52mm f/2.8 lens fitted and I wasn't very happy with it. It was, and frankly still is, lumpy in use and needs a full strip and rebuild to put right. This is what happens when you pay £40 for a camera that works well, the lens is often overlooked.

I soon found a replacement on a Zorki 4K that winged it's way to me for another £40, a Jupiter 8 50mm f/2 that was in excellent condition. This time it was the camera that wasn't exactly at it's best. Given the fact a serviced FED 2 with Jupiter 8 lens can cost over £100, I reckon I got reasonable value for my money. 

As I grew to love the camera, a Jupiter 12, 35mm wide angle lens was on my radar and it is a sought after item amongst the soviet camera community, often costing well over £100 for just the lens. I played the waiting game and kept an eye out for a bargain.

A couple of years go by and I'm scrolling through a Vintage Camera group on the book of face. A member had posted their FED 2 with the Jupiter 12 lens and I mentioned that I was on the look out for the lens to put on my FED 2. The chap very kindly gave me a link to one for sale on the bay and it was within my financial reach. I checked it out, liked what I saw and bought it. A week later it arrived and I am now the proud owner of a Jupiter 12 35mm f/2.8 wide angle lens for a very reasonable price.

The only problem I now had was getting the viewfinder that shows the full size of frame my photos shot using the lens were going to be. These things can cost a pretty penny too, but I managed to find one at the Vintage & Classic Camera Co. The good folks I bought Baldy the Baldax from. It didn't take long to arrive and all I had to do was give it a test run. I loaded a roll of Kentmere 400 into my FED 2 and waited for a sunny day to come my way.

I went for a wander around Wigan and captured some old favourites again. I also tried to capture different angles of others now that I could get closer to my subjects. I even wandered down to the Pier Quarter to see what I could find. By the time I got there, the sun was dipping below the buildings on the fine autumn afternoon. I captured a couple of shots and I headed back into town to capture another couple of shots before I lost the light and headed home.

I developed my roll of Kentmere 400 in Bellini Euro HC, 1+31 dilution B, for 6 minutes at 20 celcius and soon had it hanging to dry in my bathroom. I digitised my film with my Nikon D700, Tamron Adaptall 2 90mm f/2.5 macro lens, Valoi 35mm film holder, Pixl-Latr and A5 sized led light pad. I processed my RAW files with Affinity Studio.

First impressions of this lens are good. Compositions where I had to step back with the Jupiter 8 50mm f/2 had me taking those few steps towards the composition with the Jupiter 12 35mm f/2.8. That extra width really shows in my photos. I can get much closer before I start getting to the point where I need to stop and let the composition have space to fill the frame. 

The photos are nice and sharp too, which is something I had seen in other folks photos using the same set up. That viewfinder is pretty much on the money too. It sits a little higher than I would like courtesy of the adapter I bought so I could get it to fit. My Fed 2 has the sunken hot shoe and the adapter has raised the viewfinder up a few millimetres, but it doesn't affect the shots at all. Most of my shots were focused at infinity so parallax wasn't an issue. 

There's only one downside to this lens and that's the aperture ring. It's click-less and my lens hood screws into it. It's easily moved by my fat fingers when focusing so I had to be mindful to check I was still on my chosen aperture before framing up my composition and releasing the shutter. It's a daft thing to moan about and I shall get used to it. 

The only other lens I have experienced this with is my Industar 50-2. That lens also has a click-less aperture ring set in the body, not around the outside like every other lens I own. maybe it's just a quirky soviet design or are there other lenses out there similarly configured that I haven't found yet? 

Final thoughts? Considering it is a lens I have wanted for quite some time, it has not disappointed me. I could easily have been disappointed, but the Jupiter 12 35mm f/2.8 lens made by the good folks at KMZ in Moscow all those years ago, is every bit as good as I imagined it would be. 

Here's a few favourites from my wander around Wigan, trying my Jupiter 12 35mm f/2.8 lens for the first time. I have placed them and more in an album on Flickr you can visit using the link below. I hope you enjoy them.

Fed 2 - Jupiter 12 35mm f/2.8 lens - Kentmere 400

Frugal Film Project 2025 - December

 My experience of the Frugal Film Project over the years has been very rewarding and occasionally frustrating. The 2025 edition was no exception and I come to the end of my year with a greater appreciation of the post WW2 German Camera Industry. I have also come to love Type 517 Cine Film for its versatility. For Decembers roll of Type 517 Cine Film shot with my Kodak Retina 1a, I kept it simple and stuck to what I know.

I have mentioned a few times about Type 517 being the ultimate barn find in film photography for many years. A refrigerated shipping container loaded with a cine film version of Ilford FP4 doesn't come around often, I doubt it will happen again in my lifetime. Kudos to the folks at Analogue Cameras for making the deal happen and bringing this to the market at a very affordable price. You can buy this film with confidence it is going to produce decent photos for you. 

As for my Kodak Retina 1a, what a bargain I got! I bought it in a bundle when I wanted something else and it turned out to be the best bonus ever! When Kodak wanted to expand into Europe between the wars, their decision to buy the Dr August Nagel Kamera Werk in Stuttgart was a very astute one indeed. By the time my Retina Ia was made in the 1950's, Kodak AG, at that point in West Germany, was producing quality cameras at an affordable price.
 
At 70 years old my Retina Ia is in fine fettle. The frame counter has never worked whilst in my ownership, but it hasn't bothered me all year, I just try to keep a mental note of where I'm up to, a task that sometimes is a tough one when I'm concentrating on getting a shot nailed down. The strength of my Kodak Retina Ia is its Schneider-Kreuznach 50mm f/2.8 lens. Matched to the Compur shutter with a decent range of shutter speeds and apertures, shooting an expired 100 iso film wasn't as daunting as it could have been. 

For this last roll of the year I just wandered around town and captured the day as I walked. I also winged it on the metering, trusting my Mk.1 eyeballs on a bright sunny Boxing Day afternoon. I tried to get different compositions, but there's always one or two that draw me to them time and again. That's fine by me. It didn't take me long to shoot my December roll of Type 517 Cine Film with my Kodak Retina Ia and I made my way home, happy that I had completed another year of the Frugal Film Project.

I developed my roll of Type 517 Cine Film in Bellini Euro HC 1+31 dilution B for 12 minutes at 20 celcius. Once dry I digitised it with my Nikon D700, Tamron Adaptall 2 90mm f/2.5 macro lens, Valoi 35mm film holder, Pixl-Latr and A5 size led light pad. I processed the RAW files with Affinity Studio.

My final roll of the year for the Frugal Film project 2025 turned out rather nicely. Being blessed with a sunny afternoon and a wander without having to worry about getting wet or being cold, or both was just what I needed to round out the year. With a dozen rolls of film used, I have found my personal sweet spot using Type 517 Cine Film in my Kodak Retina Ia. 

For me that's the take home from the Frugal Film Project each year. I have learned about a film I wasn't accustomed to in a camera that came in a bundle and turned out to be a great surprise that has earned a place in my regular rotation. Now we are into the new year I am getting stuck into Kentmere 400 with my Hanimex 35RAS point and shoot as we go around again for the Frugal Film Project 2026. 

If you want to try Type 517 Cine Film for yourself, you can buy it from Analogue Cameras right here in the UK using the link below. I am not sponsored by, nor do I get any kickback from Analogue Cameras this recommendation, I have learned that Type 517 Cine Film is a decent film and I still have a few rolls in my fridge to get through. 

Here's a few favourites from my December roll of Type 517 Cine Film shot with my Kodak Retina Ia for the Frugal Film Project 2025. I have placed them and more in my Frugal Film project 2025 album on Flickr that you can visit using the link below. I hope you enjoy them. 

Frugal Film Project 2025 - December 
Analogue Cameras - Type 517 Cine Film